Website of Joe Landsberger

A finished person is
a boring person.
Anna Quindlen
b. 1953, author/journalist

Curriculum vitae/resume

Joseph Frank Landsberger

“Origin Story of

Fort Road/West Seventh Street, the Township/City of Saint Paul,
the Territory/State of Minnesota, Glacial Age Forward”

Press release and Table of contents

It was the old days, the old ways.

(Send email request for more information.)

The Origin Story of Fort Road/West Seventh Street, the Township/City of Saint Paul, the Territory/State of Minnesota: Glacial Age Forward. ISBN: 979-8-218-57397-3

What distinguishes Origin Story is its insistence on centering the people, places, and processes that the state’s historiography marginalized. It corrects a longstanding omission: the neglect of the corridor of the Mississippi River and Fort Road, its West End, as essential to the state’s formation. It begins with Dakota lifeways, situating Indigenous presence as the essential baseline for all that follows. In the 1600s the French, Ojibwe and Métis fur trading community set in motion the transition to a “built” environment of the 1800s.

In Saint Paul, settlement emerged at breaks/landings in its 80-foot bluffs that bordered the city’s 26 miles of Mississippi River shoreline. While at the Lower Landing émigrés focused on wealth accumulation; Upper Landing immigrants were more interested in building lives. Successive waves of immigrants began transforming the Upper Landing into Minnesota’s true “Ellis Island” evidenced in twelve languages/dialects. Imagine the communications! What emerged is a deeply textured account of immigrant culture, including the distinctive forms of vernacular housing and commercial structures that became the oldest in its state.

Origin Story weaves its physical and subterranean landscape, geology and geography, into the historical narrative. The river fostered steamship and barge commerce, as did railroads and railyards that blasted out the bluffs. Economic workingclass inventiveness drained swamps and bogs for farms, dairies and abattoirs. Building materials: limestone and shale for brick, the Great Woods for lumber. Twelve breweries lined the river and its system of caves for lagering, as well as its ecosystem of supporting trades. Social and political upheavals also shaped its community. The population stabilized through the Long Depression (1873-1800) and melded culturally into the Twentieth Century, ignored even threatened by city powers. Police Chief O’Connor’s layover policy sponsored organized crime; the Mississippi River stagnated through the 1930s, deprived of oxygen, subject to human and industrial waste. Three miles of Seventh Street on its river side lost 16 feet and all its buildings for realignment. After World War II, official policy encouraged white flight to the suburbs. Freeways (Shepard Road and 35E) eliminated whole neighborhoods in conjunction with “urban renewal”;.

It is here that the book’s second major theme emerges: the extraordinary volunteer activism at the outset of the 1970s that preserved the West End’s cultural and architectural heritage. Downtown interests were perceived as adversaries rather than advocates, disregarded historic structures in favor of strip malls. Volunteers took action. Through their unique neighborhood council, the West Seventh/Fort Road Federation, they saved Irvine Park, Irvine Hill, Kips Glen, and Little Bohemia; raised cultural institutions of the CSPS Hall and Schmidt Brewery to historic site status. They successfully fought slum lords and porn shops, rebuilt playgrounds, parks and community and health centers. A commercial ghetto was fought: its neighborhood transformed into affordable housing. A development corporation preserved housing and the commercial strip, with some success but some losses. Garden tours drew attention to its river valley. It wasn’t radical as much as self-preservation.

Historians ignored this seminal history. The locally sourced, locally promoted “Origin Story” met a ready audience. Its narrative was illustrated by 1069 vintage and commissioned images documented with 246 endnotes. A segmented bibliography of 108 resources will fuel further research. The first edition sold out in two months (January/February) publicized by email, social media and word-of-mouth. Six months later a second edition was revised to include a dozen sagas from those who purchased the first.

All proceeds benefited local non-profits, sold through them and independent bookstores and on reserve at libraries and historical/cultural outlets. There are no marketing expenses. Educational program of lectures, courses and newsprint serialization is listed on the main page.

Table of Contents

Foreward: Method 1
Eras of the West End 2
Dakota Era 4
European Extractive Colonialism 20
American Expansionism 24
A Transitional Time 30
From Claims to Plats 38
Minnesota Identity 46
Minnesota Survey 48
Marginalization 56
Red River Carts 60
Reserve Township 64
Rural Migration 64
Urban Migration 66
Upper Landing/River Flats/The Levee 70
Limestone, Brick, Tunnels 80
Irvine Park 94
Westtown, Downtown 104
Dakota Conflict 112
Seven Corners, West Seventh 116
Pleasant Avenue 130
German Settlement 134
“Bohemian” Settlement 164
Little Bohemia 196
Uppertown, Uppertown Triangle 208
Italian Settlement 216
Irish Immigration 228
Peasant Valley 232
Dairies of the West End 246
Widening West Seventh/Infrastructure 248
Seven Corners West 258
James to Victoria 258
Benevolent Societies 270
Schools/Community Centers 288
Taverns (and Brothels) 296
Minnesota’s Waterways 302
Railroad Transportation 310
City Railway/Metro Transit 314
West End Car Culture 318
Smith Avenue High Bridge 320
Shepard Road Freeway 326
West End Arts and Entertainment 348
West End Arts 352
Community Reporter 372
West Seventh/Fort Road Federation 376
Affiliations 396
Bibliography 397
Endnotes 401
About the Author 412
Postscript and Postimage 415

 

This history has been built with locally-sourced contributors

The second printing weighs three plus pounds with 1,083 images (85% vintage and some commissioned artwork) and 420 pages documented with 263 endnotes.

  1. Community organizing and research were done under the guidance of Betty Moran, our community organizer of 40 years. Since I don’t remember things (that’s why I write them down), she was invaluable and remembered everything. She knew where the bodies were, but was always discrete about perpetrators. She also knew who in government to contact, and when. Our collaboration of thirty years was lost with her death June 1, 2024. RIP Betty: the Origin Story was dedicated to her.
  2. Vintage images were acquired (and edited) from multiple sources including the Minnesota Historical Society, Ramsey County Historical Society, Library of Congress, Hennepin County Library Digital Collections, Minnesota Department of Transportation, Czech and Slovak Sokol Minnesota, New York Public Library Digital Collections, and local family contributors.
  3. Commissioned works:.
    1. Cover design by Teresa Pojar based on Loughridge illustration
    2. Hardcover marbling by Caron Moore
    3. Hardcover binding by Jeff Dahlin, E & L Bindery
    4. Illustrations by Stuart Loughridge
    5. Photography by Craig Johnson
    6. Photos and consultation by Jerry Mathiason
    7. Layout/Illustrations/photography by Joe Landsberger
    8. Cartography by Nat Case, incasellc.com with Dr. Roderick Squires
    9. Book layout consultation by Paul Nylander, Illustrada
  4. Editing by Jane McClure, Becky Yust and Joan Sedlacek
  5. Reviews by neighbors in selected content areas
  6. Assistance by RCHS Research Associate Rich Arpi particularly building permits from 1880 and West Seventh/Fort Road Federation archives.
  7. Gale Family Library Research Services
  8. Noted contributions by Greg Brick (subterranean connections), Justin Tweet (geology), Scott Olson (brickworks), particularly Betty Moran (1943-2024, RIP)
  9. Printing and publication services by Michelle Hovde Bastian, InstyPrint West Seventh, Saint Paul and Allegra, Eagan

 

For more information, email Joe Landsberger